The new month starts with carnival, Hitchcock and a look through the lens darkly One of Rio's most iconic buildings, the Theatro Municipal, will be the scene of the gala, hors concours screening on Wednesday of Paulo Machline's Trinta
Première Brasil continues at the Cinepolis Lagoon on Wednesday, but there will only be the competitive screening of Suzanna Lira's documentary Porque Temos Esperaça (Why We Have Hope) at 17.00. The documentary is the journey of a woman from Pernambuco, in the northeast, and her rejection of all that doesn’t seem to work out. Living deep dilemmas in her own personal life, and in an attempt to reconstruct the lives of others, she begins a journey through the prisons of Recife, with the intention that parents might recognize their own children. Experiencing loneliness at first hand, she demonstrates that affection can be redemptive and that hopelessness is the most intolerable evil of all.
Wednesday sees the start of the screening of five bfi restored Alfred Hitchock silent classics with the screening of Blackmail at 19.00 at Estação Botafogo. Easy Virtue will screen Thursday at 19.00, followed by Champagne on Friday, The Farmer's Wife on Saturday and The Manxman on Sunday, all at 17.00. The screenings will be accompanied by pianist Cadu Pereira.
Thomas Allen Harris will introduce Through a Lens Darkly: Black Photographers and the Emergence of a People at Estação Rio at 19.00 on Wednesday. The documentary, that premiered in Sundance, investigates how the legacy of African-American photographers has played an important role in shaping the identity and helping the social emergence of black Americans, from slavery until today.At 21.30 Benjamin Naishtat will present Historia del miedo (History of Fear), part of Latin Premiere that played in competition in Berlin, at Estação Rio 2.
RioMarket on Wednesday will discuss business and production opportunities in Latin America with a special focus on Mexico that has brought a large delegation of senior executives to the market.
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