Some (im)probable and (im)ponderable considerations on the (ir)relevance and the (non)role of poetry in our times. A poetic essay? A poetic manifesto? A (un)poetic appropriation? From the series “Towards an AutoCineBiography (Regress)”.
Carlos Adriano
Filmmaker, PhD in Film (USP), post-doc in arts (PUC-SP), and post-doc candidate in film (USP). He directed films such as Suspens (short, 1989), Remainiscences (short, 1997), The Pope of Pulp - R.F. Lucchetti: Faces and Disguises (short, 2002) and A Caffé with Miécio (short, 2003).
