The son of a film director from the 1960s and 1970s is looking for his father's last unreleased film, but he bumps into the precariousness of the collections and the conditions of the pandemic. In this quest, he retells the history of pornochanchada from a particular angle, while his editing room is invaded by contemporary scenes that are updates of our cinematographic tradition. Its final edition presents a look at cinema and Brazil in the last 50 years — the country of pornochanchada.